Bouley

Bouley's front door, currently hidden behind construction scaffolds

Walking into Bouley it doesn't take long to see just how much the dining scene of NYC has changed.  In a time when restaurant decors are designed and geared towards sleek minimalism, Bouley sits as a reminder, amongst very few others, of the opulent chambers one diner can be tucked away into.

Fresh apples line the wall, perfuming the entrance

From the front door you enter a vestibule of shelves upon shelves of fresh apples.  Perfuming the air transporting you to a fresh countryside orchard.  To the left a waiting room with the hostess stand up front.  A waiting room comprised of plush couches and chairs, floor to ceiling windows and artwork, exquisite chandeliers, and hardwood floors.  Before even entering the dining room you realize Bouley is a labor of obsessive love and care for guests.  This is not the waiting area comprised of a thin banquette set against the wall at your local Applebees.  

The large, romantic, dining room evokes the feeling of the French countryside.  Large Monet paintings, wrapped in velvet no-less, of orchards and wineries hang on the walls.  Fresh flowers sit atop every table that are dressed with rich, thick tablecloths.  Deep banquettes line the walls with plush pillows to cushion your back and to keep you from falling backwards.  A vaulted ceiling is brushed with gold leaf.  A fireplace and a library are tucked away in a darker, more seclusive secondary dining room towards the back of the room.  

Atera

**Note.  If you are planning on dining at Atera, I highly recommend eating the food before reading this post, as it will ruin a lot of surprises through the course of the meal**

It's amazing how many culinary trends New York City has undertaken in the past decade.  The fall of the twin towers caused the death of fine dining, where as a nation we turned to more economically feasible comfort food options.  We looked for menus that had a recognizable burger and french fries, instead of duck and foie gras.  Fast forward a few years and we became ready to play with our food, and all the emphasis was on molecular gastronomy and the multiple ways we could manipulate nature's ingredients.  Heston Blumenthal's Fat Duck in Bray, England, and Ferran Adria's El Bulli in Catalonia, Spain were the world's best known restaurants to showcase it.  When trendsetters like Alinea in Chicago, and WD-50 in New York City ran out of ideas, so did the city's interest with science.  We've seen it already, what can we do next?

Then out of nowhere the "fad" was a practice multiple chefs had been utilizing for years.  Relationships they had built with farmers and emphasis on fresh and local produce started the "farm-to-table" craze.  Like little kids showing off their newest and coolest toys, it became a trend for restaurants to show which local farmers they were using, and how they were showcasing their products.  "Here we have a strawberry soup utilizing strawberries from Berried Treasures Farm."  It was a vehicle that caused all these hard-working low-key farmers at the greenmarket to finally become celebrities in their own right, but chefs decided to push this further.  They wanted to up themselves.  Thus began urban farming and rooftop gardening.

But this is New York City.  We need to push the envelope even further.  We need to watch what chefs from all around the world are doing, and then we need to up that.  Well, New York finally has a theater in which to showcase the newest food craze.  It is called Atera, and the 31 year-old Chef Matthew Lightner has brought from Portland not just a philosophy to utilize local farms, but local parks.  The new trend is called "foraging", and foraged food is now beginning to pop up on menus all around the city.

Aldea

I kicked off summer restaurant week this year with my first visit to Aldea, the small, elegant, Portugese-inspired restaurant of Chef George Mendes.  George, who was recently a contestant on Top Chef Masters Season 3, opened Aldea in 2009.  Only two years later he was awarded the coveted "Best New Chef" title from Food & Wine magazine.

Chef Mendes knew from a very early age that he wanted to become a chef.  He now sources fresh ingredients that are in season and builds a daily-changing menu at Aldea to showcase them.  Over the past three years Aldea has been named one of the most cutting edge restaurants in New York City today.  It this reputation which caused me to come in this afternoon.

While walking down 17th street the blue and white "Aldea" sign gives you a soothing welcome.  Once upon entering through the clear door the hostess greeted me and asked me where I'd prefer to sit.  To my surprise Aldea has an open kitchen, and now knowing that information, had no hesitation in saying I would love to sit at the dining counter overlooking it.  As she lead me to my seat I walked past Chef Mendes himself leaning over the bar making some phone calls.  It's always a good sign when you have the presence of the chef in the restaurant.

At first glance the restaurant evokes a feeling of warmth.  The blue and white color scheme stretches into the restaurant from front to back, and is said to be designed after the Iberian coastline.  Images of air, water, land, clouds, and wind bring you on the same journey Chef Mendes embarked on as a young man through that very coastline.  On this visit I also noticed that not many people were embarking on that journey.

David Burke Kitchen

Summer restaurant week in New York City.  Over 300 restaurants offering a 3-course prix-fixe menu for $24.07 at lunch, and $35 at dinner.  No matter where you go being able to eat three courses for those prices in NYC is an amazing deal.  However, I have never been able to get excited for restaurant week, as it's all promotion.  I know a lot of restaurants will do throwaway menus, offering nothing they normally would, smaller portions, and cheap offerings.  Every now and then, though, you will find one out of the bunch that surpasses the rest.  I found that here, and my meal at David Burke Kitchen was quite possibly the best restaurant week deal I've ever had.

David Burke is a very acclaimed chef, becoming very well known in the past few decades for his whimsical American-style cooking.  Lollipop tree, anyone?

The sign hanging outside the restaurant

DBK is his newest venture, opening in Soho in early February of this year.  First and foremost, the space is  beautiful.  DBK is located inside the James hotel, and the entire building is bright white, which is a very strong stand-out for its location.  The name of the restaurant is displayed proudly in two bronze signs both in the front and left of the building.  As you enter the building the main dining room sits below street level to the right, and to the left is the entrance to The Treehouse Bar, which is a wide open second-story rooftop bar, with glass enclosures and barriers, overlooking Grand St and Sixth Ave.  The main dining room is reminiscent of a country barn, set inside a wide-open Soho-style loft.  The decor is very chic and a perfect fit for this trendy neighborhood.

Junoon

With Tabla now closed, the torch of fine dining Indian in the Flatiron District has now been passed along to Junoon, which surprisingly is located just two blocks away from where Tabla resided. 

A few months ago I had the pleasure of walking into Junoon for the first time and meeting the Executive Chef Vikas Khanna.  If you’re a fan of the television show “Kitchen Nightmares”, you may remember Chef Vikas from the episode featuring “Dillon’s” Indian restaurant in midtown, in which he was brought in as a consulting chef to help get the restaurant back on track.  The show did a great job showcasing Chef Vikas’ signature style and flavors, and now his cooking is on display at Junoon.  Today I returned to the restaurant and tried his cooking for the first time. 

At first notice of walking into Junoon you realize no expense was spared, anywhere.  Junoon means “passion”, and this restaurant is the lifelong dream of Rajesh Bhardwaj, the man behind “Café Spice”.  This restaurant is beautiful, and there is a touch of elegance everywhere.  Upon entering you walk into a small room with a small reflecting pool, of which the sleek black hostess stand can be seen through two more glass doors.  The hostess stand is directly in front of a 50-foot passageway which also contains a long reflecting pool filled with stones, white sculptures covering flood lamps, and beige sandstone sculptures depicting vines (the same design on their website).  I couldn’t help but feel reminiscent of Shalimar Gardens in Lahore, Pakistan.  The main dining room is to the left of the pool, in which an open kitchen stands in the middle.